Photography 101: Russian Zenit 122 – My First True Original SLR

The Zenit SLR camera is a classic example of Soviet-era ingenuity and craftsmanship in the field of photography. Originating from the Krasnogorsk Mechanical Plant near Moscow in 1952, and later also produced by BelOMO in Belarus, these robust 35 mm SLR cameras have captured moments through lenses like the Helios 44-2. Known for their durability and simple design, Zenit cameras have been a popular choice for both amateur and professional photographers around the world. Image source: Macity Net

I had cheaper cameras before – an RM100 point-and-shoot camera (no autofocus) was my first camera which my aunt bought for me after I did well in my exams. But unlikely these days, that the camera only “came out” on important days like birthdays.

One fine day, I was passing by PS (Petaling Street) when I noticed an old lady with a small table with some items on it. A small crowd gathered in front of her, going through the items. Curiosity got the better of me and I too stopped to see what the interesting items were. She had a couple of cameras, telescopes, and other small items – all Russian-made. One item stood up and had me drooling thinking – it was a classic Russian SLR camera.

I nervously asked the lady – “Berapa ini (how much is this)?”

Her answer was RM100.

RM100 for a SLR?

That was a bit hard to believe at first because it cost the same as the point-and-shoot camera that I had but buying things in Petaling Street had me thinking whether the camera was a genuine one or not. I grabbed hold of the SLR camera – it looked used but was heavy and well-built. But in the end, I gave it a pass since I did not have the money anyway.

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Mastering a manual SLR camera indeed presents a unique set of challenges, requiring a photographer to engage deeply with the intricacies of the SLR camera settings to achieve the desired exposure. This hands-on process necessitates a commitment to learning and honing one’s photography skills. It’s a journey that not only improves technical abilities but also enhances one’s artistic eye, ultimately leading to the creation of more compelling and expressive photographs.

Several weeks had elapsed since my initial encounter with the elderly vendor when I found myself once again in her vicinity. On this occasion, I was financially prepared and possessed a compelling desire to acquire the SLR camera that had previously caught my eye. I harbored a hope that the cost had not escalated in the interim.

Astonishingly, the woman offered it to me for RM60—a figure that left me pondering whether this reflected the camera’s true value or if she was simply eager to divest herself of her merchandise. Regardless, at such a price, the camera was undeniably a steal. Seizing the opportunity, I promptly secured the purchase, foregoing any lingering hesitation.

Some of the key specifications of the Zenit SLR camera are as follows:-

• The Zenit 122 is a 35mm single-lens reflex (SLR) camera that was produced by the KMZ and BelOMO plants from 1990 to 2005.
• It is known for its robust design and was one of the last Soviet-era cameras before the production shifted to Russian manufacturers.
• The camera features a TTL (Through-The-Lens) exposure meter and an M42 lens mount, which allows for a wide variety of lenses to be attached.
• Standard lenses for the Zenit 122 were the Zenitar m2s or the Helios-44M-X 2/58, both of which are known for producing sharp images with a distinctive bokeh.
• Its shutter speeds range from 1/30 to 1/500 second, plus a ‘B’ setting for long exposures.
• Despite its mostly plastic body, the Zenit 122 is appreciated for its durability and ease of use, with a design that aids in comfortable handling.
• The viewfinder is bright and incorporates ground glass with wedges, aiding in focusing.
• The Zenit 122 has a mechanical self-timer and a convenient frame counter, which were modern features at the time of its production.

A significant advantage of this camera is its robust construction. It boasts a solid build quality, reminiscent of a rock, which conveys a sense of durability and reliability. Weighing in at 820 grams, it is nearly twice as heavy as the Nikon D40, which is around 450 grams. This heft is indicative of the camera’s premium materials and design, which may appeal to photographers who prefer a more substantial feel in their equipment. The camera’s sturdy build not only enhances its longevity but also provides a stable base for high-precision photography.

The “Russian,” a term of endearment for my trusty Zenit camera, was a steadfast companion for several years. However, as digital cameras became more affordable and technologically superior, the Zenit’s allure waned. The expenses associated with film purchase and processing, particularly the conversion of film to digital format, gradually diminished my enthusiasm for analog photography. This shift marked a turning point in my photographic journey, steering me towards the convenience and innovation of digital imagery.

It found itself in my storeroom and I completely forgot about it until my son managed to get hold of it and use it as a toy. He will link his Lego set into one long line and take the camera under the pretext of catching a snake on camera.